Fine and Decorative Arts - Interesting Facts

THE TEA CADDY

2012-02-19T12:39:00.017-08:00

Tea was introduced in England from China in the mid 17th century. Because tea was regarded as a precious commodity, special boxes called caddies were used to store the tea leaves. Tea caddies were made from various materials, including tortoiseshell, porcelain, carved and inlaid woods, and metals ranging from painted tin to engraved silver.

The two images below show a circa 1790 blonde tortoiseshell tea caddy with ivory and pewter stringing. It has two interior lids (images courtesy of http://www.bazaar

boxes.com).

And below are two images of a circa 1840 rosewood sarcophagus form tea caddy on lion paw feet with two interior lids and center mixing bowl (images courtesy of http://www.bazaar

boxes.com).

DID YOU KNOW THAT the British crown had imposed such high taxes on the importation of tea, that by the mid 18th century the duty on tea had reached 119 percent? Such heavy taxation brought a new found income for the government but soon, it also helped create a new booming industry: tea smuggling! (source: britainexpress.com).

Tunbridge Ware

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Tunbridge Ware refers to a process of inlaid wood decoration developed and made popular in the town of Tunbridge Wells in Kent, England. Although the process was developed earlier, Tunbridge Ware was most popular in the 19th century Victorian period.

The most famous makers of Tunbridge Ware were family owned businesses: Wise Family; Burrows Family; Fenner; Nye; Barton; Hollamby; Boyce, Brown & Kemp; and Tunbridge Wells Manufacturing Company.

The most popular item to be produced in this fashion was the box; e.g., tea, snuff, stamps, gloves, handkerchiefs, matches, among others. Many of the geometric patterned boxes are from the earlier part of the century while floral patterns were adapted later on.

(Sources: www.amherstantiques.co.uk and www.kintongrangeantiques.co.uk)

The following images are courtesy of Armherst Antiques.

Image 1 shows a dressing case with a view of Windsor Castle by George Wise, circa 1840

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Image 2 shows a writing slope/lap desk with a view of Battle Abbey Gatehouse by Henry Hollamby, circa 1870.

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DID YOU KNOW that the then young Princess (later Queen) Victoria was a frequent visitor to the town of Tunbridge Wells and used to buy articles of Tunbridge ware as gifts for her family? As gratitude to her, the town's people presented her with a specially made example: a kingwood work table (see image 3 below, courtesy of the Tunbridge Wells Museum & Art Gallery (www.tunbridgewellsmuseum.org).

According to the Museum, the principal manufacturers of the time had to draw lots for the privilege of making the table.

Image 3

Santa Candy Containers

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Santa candy containers became popular in the 19th century and are still being made today.

Christmas trees in the early 19th century were adorned with, for example, cookies, fruits, nuts, and cones. Born in Germany, Santa candy containers were given as gifts but were often used as tree or table decorations after the candy was gone (source: Kovel's On Antiques And Collectibles).

Some of the more elaborate candy containers were very detailed figures that separated at the waist, concealing the cylinder that held the candy. Others separated at the neck, held candy in small attached baskets or on a covered attached sleigh (source: goldenglow.org).

Image 1 shows an 1890 German Belsnickel candy container with rabbit fur beard. He carries a brown basket on his back. Image courtesy of Grossmutters Christmas Past (http://www.christmas.li/)

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Image 2 shows a 1930 German Santa wearing a red felt coat. He has a fur beard and carries a feather tree branch. Image courtesy of Grossmutters Christmas Past (http://www.christmas.li/)

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Germany is credited with starting the Christmas tree tradition in the 16th century but, DID YOU KNOW that the first artificial Christmas tree was developed in Germany in the 19th century as a response to reduce German deforestation? These trees were first made of goose feathers that were dyed green.

SOTHEBY'S CEO DISCUSSES GLOBALIZATION OF THE ART MARKET

2011-11-19T15:46:00.000-08:00

Very interesting discussion on October 18, 2011 at Yale's School of Management with Sotheby's CEO William Ruprecht.

See Yale's Dean Edward A. Snyder's interview with Ruprecht (link below).

http://mba.yale.edu/news_events/CMS/Articles/7485.shtml

Highlights

In the last decade there has been major changes in the auction world, with China in the foreground. Given China's massive wealth generation, there "has been a total shift of where the demand and supply are".

The United States and Europe have now become net sellers of art, while China - whose market has exploded - has become the largest art market in the world.

Rococo Revival Furniture

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ROCOCO REVIVAL FURNITURE

Rococo (pronouned roh-cocoa) Revival was an effort during the early to mid-Victorian period (around 1845-1870) to revive the Rococo Louis XV style that had originated in France in the early 18^th century; however, the 19^th century Revival has much more exaggerated curves and intricate and realistic carved ornamentation.

One of the most famous makers of Rococo Revival for the luxury market was German-born John Henry Belter of New York City. Belter (1804-1863) created elaborate lacy pieces from laminated rosewood panels using a technique that he patented. Several layers of wood were glued together in alternating directions to give it strength, and the panels were then steamed under pressure in molds to produce curves. After that, the furniture components were carved in intricate patterns of scrolls, fruit, and flowers (source: Kovel’s On Antiques and Collecting). Belter was famous for his large and exuberant parlor room sofas, which are embellished with bouquets of naturalistic blooms.

Image 1 below, from the Metropolitan Museum of Art, is a superb example of Belter's high-end sofas.

Image 1

Another company, J. and J.W. Meeks, also of New York, made similarly ornate pieces. See image 2 of a pair of walnut chairs by Meeks, circa 1850 (image courtesy of Timeless Antiques, Laguna Beach, CA).

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Other notable markers of this style were Alexander Roux, Charles Baudouine, Leon Marcotte, and Ignatiius Lutz.

DID YOU KNOW that most of the Rococo Revival furniture were pieces designed for the parlor (rather than, say, for the dining area or library)? The curved, often pierced carved wood pieces appeared more "feminine" and therefore were more conducive to the parlor - the "domain" of the lady of the house.

American Coin Silver

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Most silver articles made in the United States before around 1860, when the sterling silver standard was accepted, are referred to as "coin."

Coin silver has a slightly higher silver content than sterling silver. Pure silver is too soft for normal use and has to be alloyed, usually with copper and other trace elements. Sterling is 925 parts silver per 1000 parts, and American coin silver has a lower percentage: from 1792 to 1837, it was .892; thereafter, .900. Other countries may use the words “coin silver” to mean the purity used in their silver coins, which may be different from US coins.

In America’s colonial days, coin silver was literally made from melted-down coins. Between about 1830 and 1860 silver was often marked “Coin,” “Pure Coin” or “Dollar” to show that the piece was the same quality as coins. (Source: Kovels On Antiques and Collectibles).

Image 1 is of a coin silver ladle, with monogrammed fiddle-back handle by Anthony Rasch, circa 1855-1963, marked "A. Rasch" (image courtesy of www.replacements.com)

Image 2 is of a coin silver coffee pot by Eoff & Shepard of New York City, circa 1850, marked "E & S" (image courtesy of www.replacements.com)

DID YOU KNOW that besides being useful, coin silver items in the home helped secure the family's fortune? A thief would find it more difficult to dispose of the distinctly marked and engraved pieces than he would a sack of coins (source: Kovels On Antiques and Collectibles)

ROYAL COPENHAGEN BLUE FLUTED PATTERN

2011-08-19T12:06:00.000-07:00

The Danish porcelain factory Royal Copenhagen has been producing the "Blue Fluted" pattern since 1775. This pattern, which depicts a fluted border with flowers, berries and vines, comes in three distinct configurations, depicted below:

BLUE FLUTED - FULL LACE, with perforated lace edges (see image 1)

Image 1

BLUE FLUTED - HALF LACE, with painted lace edges (image 2)

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BLUE FLUTED - PLAIN, with simple smooth edges (image 3)

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Images courtesy of www.replacements.com

DID YOU KNOW THAT because it is the first pattern Royal Copenhagen ever made, the company's mark on its Blue Fluted items will often include a number 1 above the item number? See for example the following mark with the numbers 1 over 1018. The number 1 stands for the pattern (Blue Fluted pattern), and the number 1018 refers to the specific item (Full Lace salad serving bowl).

MAJOLICA

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Majolica is a type of earthenware (pottery, which is fired to a porous state) decorated in vibrant colors using a lead or tin glaze. This form of pottery was popularized in the second half of the 19th century.

Majolica was made in England, France, Spain, Italy, US, and other countries. Popular examples featured molded, raised decorations of flowers, fruits, vegetables, birds, fish, and other animals.

Not all majolica makers would mark their pieces, but popular artists were Minton, Wedgwood, Holdcroft, and George Jones in England; Griffin, Smith, and Hill in Phoenixville, Pennsylvania; and Chesapeake Pottery in Baltimore, Maryland.

See below amazing examples of majolica. First, a Wedgwood Punch & Toby cobalt blue punchbowl

Also, see below a Minton Mermaid Ewer

Both images courtesy of http://www.strawserauctions.com

DID YOU KNOW that Majolica's popularity took off in England in 1851, shortly after Minton displayed several vases at the Crystal Palace Exhibition in London? Minton called the designs Victorian Majolica (Victorian in reference to Queen Victoria who reigned from 1837 to 1901). In the US, Majolica became popular after the Philadelphia Centennial Exhibition in 1876. Majolica was out of fashion from the 1920s to the 1960s until collectors began seeking these pieces for their own collections beginning in the 1980s (source: Kovel's Antiques and Collectibles newsletter).

Storage Trunks

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Storage trunks originated as traveling luggage for use on long journeys. The most common styles seen today date from the late 18th to early 20th century. After that, trunks were replaced by suitcases. Forms vary, from dome top, round top, bevel top, slatted and non-slatted top, among others. Below are a few examples of different styles, with information and images courtesy of Eagle Trunk Designs http://eagletrunks.com/

Monitor top trunks (see image 1 below). This type of trunk, circa third quarter 19th to early 20th century, purportedly got its name from the USS Monitor warship and is characterized by rounded front and rear corners.

(image 1)

Steamer trunks (see image 2 below). Circa 1880 to 1930, this trunk has a flat top and is short enough to fit under the beds or seats in steamships and trains. Most examples of the metal covered ones are from the 1900s onwards.

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Automobile trunks (see image 3 below). Circa 1910 to 1950. Early automobiles did not have storage spaces to speak of and were equipped with a rack or slot for which a trunk could be placed. Some of these trunks were built specially for a particular vehicle while others were generic.

(image 3)

Wardrobe trunks (see image 4 below). These were very popular from the late 19th to the mid 20th century. Inside, these usually have drawers on one side and a place to hang clothes on the other.

(image 4)

DID YOU KNOW, speaking of wardrobe trunks, that some came with detachable brief or make-up cases, ironing boards, mirrors, shoe holders, almost everything but the kitchen sink. See this image of a lady ironing on a 1921 Phillips wardrobe trunk. Image courtesy of thisoldtrunk.com

American Brilliant Period Cut Glass

2011-05-19T06:04:00.000-07:00

Cut glass is art glass with a design made by cutting or grinding the surface, and brilliant cut glass are objects with elaborate deeply cut patterns that usually cover the entire surface and are highly polished.

The Brilliant Period in glass (1876 - 1910) began with the 1876 Centennial Exposition in Philadelphia, PA where, thanks to new rail transportation, record numbers of people attended and were captivated by the elegant cut glass tableware, lamps, perfume bottles and other fine products on display. While previously Europe’s fine glass was in vogue, a boom was sparked in the US for glass furnaces to sprout throughout the Northeast.

Patterns quite unlike earlier European designs were developed, and patterns were given intriguing names, such as Hobstar, Pinwheel, Button Bull’s-Eye, Strawberry Diamond Vesica, Crosshatch, etc. (source: American Cut Glass Association)

An example of a sought-after shape in American Brilliant cut glass is this footed, three-handled loving cup made by The Libbey Glass Co., generally considered today to have made the best cut and faceted glass during the brilliant period. (Image courtesy of The House of Brilliant Glass, www.brilliantglass.com).

Eventually, high labor costs made these items cost prohibited for most people, and the vogue of setting entire tables with glass began to decline.

DID YOU KNOW THAT during the Brilliant Period nearly 1,000 glass cutting shops were established in the US but by 1908 less than 100 remained?

SILVER: AUSTRIA-HUNGARY

2011-04-17T09:48:00.000-07:00

Most countries have some sort of system - standard - for making sure that the content of silver is represented truthfully. Because pure silver is too soft, it is usually alloyed with other metals, typically copper, to give it strength. In the US, for example, all pieces marked "sterling" must be .925 fineness (92.5% by weight of silver and 7.5% by weight of other metals, usually copper).

In 1810 after Napoleon's defeat, the Austrian Empire was divided into three distinct groups: The German-Slavonian lands (Slavonia), the Lombardo-Venetian Kingdom, and the Hungarian Kingdom. Each region had a different standard for silver.

In around 1886 a law was passed that set a common silver standard for all three regions. Under that law, four standards were set for silver, using the head of goddess Diana with a crescent moon. The standard is indicated by the shape of the cartouche and the numeral inside. See below the four silver marks courtesy of http://www.925-1000.com/. In the order they appear:

1= 1st standard .950

2= 2nd standard .900

3= 3rd standard .800

4= 4th standard .750

The letter indicates the city, with the letter "A" for Vienna.

Beginning in 1925 the hallmarks were changed from the head of the goddess Diana to bird heads.

One of the finest Austrian silversmiths of the late 19th century who fulfilled numerous commissions for the Austrian Royal Family was J.C. Klinkosch. See below a mirror by Klinkosch, circa 1890, in the rococo style having the crest, coat of arms and coronet of Prince Maximilian Egon II of Furstenburg and his wife nee Countess Emma

Schonborn-Buccheim. Image courtesy of MS Rau Antiques, New Orleans, LA http://www.rauantiques.com/.

DID YOU KNOW THAT in 1954 the first standard was reduced to .925 fineness - same as the standard for sterling.

LADY HEAD VASES

2011-03-19T13:43:00.000-07:00

Lady head vases are made of ceramic. They have holes in the top of their heads and were originally sold at florists' shops as vases to hold flowers.

Most of the vases were imported from Japan in the early 1950s to 1970s. At that time they were very inexpensive and were sold at many five-and-dime stores across the country (source: ladiesofthehouse.com)

The most sought-after head vases with collectors today are ones that have embellishments, such as earrings and necklaces. See images (front and back) of a head vase of a lady wearing a black dress and red ribbon on her hair. She has a red heart applied necklace and pearl style earrings. (Image courtesy of antiqueheadvases.com)

DID YOU KNOW that several head vases were made to resemble movie and TV stars and other famous women, such as Jackie Kennedy, Lucille Ball, and Bette Davis, to name a few. See this example called "Donna Reed," the TV actress of the late 50s to mid 60s sitcom The Donna Reed Show. (Image courtesy of antiqueheadvases.com)

Biedermeier Furniture

2011-02-16T14:09:00.000-08:00

The Biedermeier period lasted from the fall of Napoleon in 1815 until the Industrial Revolution of 1848. This style is neoclassical and formal but with clean geometric lines. Bright, light colored woods, such as fruitwoods and walnut were popular.

The bulk of this style furniture was produced primarily for the middle class in Germany and Austria and was popular also in Czechoslovakia, Hungary, Scandinavia and the Baltic States. As the middle class had gained wealth and education, their tastes became more similar to those previously of the aristocracy.

Revival periods of this style include 1860, late 19th century, and 1920s.

Image 1 is an example of an early 19th century Biedermeier walnut commode. Image courtesy of Jean Williams Antiques, Seattle, WA.

Image 2 is an example of a Biedermeier sofa, Swedish, first quarter 20th century. Image courtesy of Rupert Cavendish Antiques, London, UK.

DID YOU KNOW that the name Biedermeier was taken from the word "bieder", which in German means honest, simple, and "Meier", which is a common last name?

STORE CABINETS

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In the late 19th century, product manufacturers began to send display cabinets along with their merchandise as an incentive for store owners to buy in bulk. By the beginning of the 20th century, however, these cabinets went out of fashion due to more efficient packaging methods. Their value today exists among collectors who enjoy their beauty and uniqueness.

Diamond Dye cabinets remain popular among collectors of these antique display cabinets. Diamond Dyes were made by the Wells & Richardson Company of Burlington, Vermont and were usually made of cherry, oak, and walnut. See for example, an 1890 Diamond Dyes "Evolution of Woman" cabinet made of birch with tin color lithograph front (image courtesy of southwestspiritantiques.com).

Cabinets that housed thread are another style that have remained popular throughout the years. In the 1860s, thread manufacturer George A. Clark, Clark Thread Company of Newark, NJ, created a new sturdy cotton thread, "O.N.T." (Our New Thread). The Clark Company would package the thread in display cabinets with the hopes of attracting more lucrative sales. One such cabinet is depicted below: a six-drawer walnut Clark's spool cabinet with red glass labels (this cabinet sold at Cowan's Auction, Cincinnati, OH - cowanauctions.com).

Another popular manufacturer of threads that used a similar sales strategy was J. & P. Coats.

DID YOU KNOW that the use of cotton thread skyrocketed due primarily to the increase in popularity of the sewing machine? Sewing machines did not go into mass production until the 1850s when Isaac Singer built the first commercially successful machine. His was the first to have the needle move up and down rather than side to side and the needle was powered by a foot treadle. Previous machines were all hand-cranked. Source: about.com

"Gone with the Wind" lamps

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"Gone with the Wind" lamps are lamps with decorated round globes and matching or conforming fonts. See image on left courtesy of jamesdjulia.com.

These lamps conjure up visions of Scarlett O'Hara and Melanie Wilkes gathering around a lamp in the Civil War epic (see image below).

"Gone with the Wind" lamps were very popular in Victorian homes and are still popular today with collectors. Many of the lamps sold today have been electrified.

DID YOU KNOW that even though depicted in the 1939 Gone With The Wind movie, "Gone with the Wind" lamps were not made until 1875, a decade after the Civil War?

Leonardo da Vinci’s Ginevra de’ Benci

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The portrait (below, left) of Ginevra de’ Benci is currently the only painting by Leonardo da Vinci in the Americas. This oil on panel, housed at the National Gallery of Art in Washington, DC, measures 15 x 15 inches and was executed in 1474/1478 when Leonardo was in his 20s. It depicts a Florentine noblewoman who, at the age of 16, had this portrait made possibly for an engagement or wedding. Source courtesy of nga.gov.

The sitter is posed in a three-quarter view and engages the eyes of the viewer. This was revolutionary in 15th century Italy when usually only men were shown in this communicative, forward-facing manner. At the time, female figures were typically depicted in profile, looking away from the viewer (see, for example portrait of a woman, on right, painted by Filippino Lippi, 1440-42, image courtesy of wikigallery.org).

DID YOU KNOW that cosmetics in the Renaissance era included powder made from white lead, mercury and vermilion (derived from cinnabar)? Pale ivory skin was highly desired so women who did not have that naturally used white lead powder to achieve it. Cheeks also remained fair but needed to give off a bit of a glow. Mercury was sometimes added to the white lead powder and rubbed into the cheek area in order to achieve the necessary effect. Some Renaissance women also used white lead powder, laced with mercury, to accent their bust lines.

Cameo glass and Emile Galle

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In general, cameo glass is any glass into which the surface is cut away to leave a design in relief. It begins with clear or colored glass of a single layer or multiple layers fused together. Hand cutting tools similar to those used by sculpturers as well as wheel cutting and hydrofluoric acid are used to cut away the unwanted portion of glass. Most cameo glass produced in the last century has been made using hydrofluoric acid for cutting away the bulk of the unwanted glass and then finishing with mechanical cutting and polishing techniques. Source: www.david-issitt.1hwy.com

Various forms of cameo glass have been made for many centuries, dating back to the Romans. Wheel engraving of glass surfaces - primarily intaglio where cuts are made into the surface to produce impressions - was made in Europe in the 17th and 18th centuries and China in the 18th century. In England, cameo glass work began in the mid 19th century and in France in the late 19th century.

One of the greatest cameo glass designers was Emile Galle (1846-1904), a French glassmaker, ceramist and designer who was a dominant figure in the Art Nouveau style. Galle first introduced his multi-layered cameo glass at the 1889 Paris exposition with amazing success, and he continued to produce glass of superb quality into the final years of his life. See vase by Galle, image source: www.gallefactory.com.

After Galle died in 1904, his widow continued to make Galle glass designs in the factory. His son-in-law then continued production of deteriorating quality until 1936 when production ceased completely.

DID YOU KNOW that because Galle was the designer, and not the producer of glass, his craftsmen would sign the pieces after he approved them? Consequently, because Galle worked with different craftsmen, his signatures often differed from one another. After Galle died in 1904, and until 1914, a star often (but not always) preceded his signature. See below different versions of the Galle signature – with and without the star. Image courtesy of www.tinyesveld.com.

Cartouche - The artistic element of antique maps

2010-09-19T11:27:00.000-07:00

In mapmaking, the cartouche (pronounced kar-TOOSH) is the decorative enclose that contains a title, legend or dedication. Sometimes the cartouche adds scenes of the place portrayed in the map. For example, the cartouche may depict a mountain, waterfall, or lake showing the topographical features of the place.

Italian mapmakers began incorporating cartouches on their maps as early as the 1500s. Initially they designed simple scrolls, and when the Dutch and Flemish became the leading cartographers in the mid 1500s, more embellishments were added: animals, mythical creatures, masses of flowers and fruit, kings, queens, gods and goddesses, cherubs, and architectural detail. (Source: maptheuniverse.com).

The decorative qualities of the cartouche had influences of both Baroque and Rococo.

BAROQUE is a style of decoration developed in late 16th-century Italy characterized by exaggerated form and extravagant ornamentation. Cartouches on maps from this period were often in a Baroque style, and featured cherubs, leaves, fruit, animals, and allegorical figures. Baroque art is large in scale and filled with dramatic details.

1. See cherubs on this cartouche on a Dutch map of 1657 (image courtesy of www.helmink.com).

2. This cartouche and close-up is from Henry Popple’s 1733 atlas Map of the British Empire in America. It shows a severed head of a man (purportedly of a European) with an arrow through

it, a crocodile, two monkeys, and a female figure with a child, pointing to scenes of trade and commerce. (Image courtesy of www.davidrumsey.com).

ROCOCO, which originated in France in mid-18^th century, succeeded Baroque with a simpler style of refined scrollwork, scalloped shells and foliage.

3. This cartouche is from an English country map by John Owen and Emanuel Bowen, circa 1730. (Image courtesy of www.earlymaps.com).

4. This cartouche from Emanuel Bowen’s A Map of Marco Polo's Voyages & Travels in the 13^th Century, London, 1744, shows Marco Polo trading with Asians. (Image courtesy of www.murrayhudson.com).

By the mid-19th century, many map cartouches showed actual views of cities or landscapes. In the 20th century the decorating of maps with a maker’s cartouche had become less important.

DID YOU KNOW that all antique maps were printed in black and white since color registration (the alignment of different print plates) had not been perfected yet; therefore maps had to be hand colored.

Porcelain china with great history

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BLUE ONION. This popular blue and white pattern was based on a Chinese design introduced at the Meissen factory in the 18th century. I have read from several sources that it is called Blue Onion because the painters at Meissen mistook the Chinese design of peaches with leaves and flowers for one featuring onions. Image courtesy of www.replacements.com

FLORA DANICA. This pattern by Royal Copenhagen of Denmark was taken from folios in the royal library in Copenhagen. In 1790, the then future King Frederick VI of Denmark ordered a service with this pattern, originally as a gift for Catherine the Great of Russia. However, Catherine died before the service was completed in 1802, and it is said that the Frederick first used the service on his birthday in 1803. Image courtesy of www.replacements.com

DID YOU KNOW that as a result of the McKinley Tariff Act of 1890 all china, along with other products, produced for export to the United States were required to carry the country name? Later, in 1921, the Act was amended to require the phrase “Made in”. See, for example, the marks of Royal Crown Derby, an important English china manufacturer.

From 1877 to 1890, the modern Derby marks were modified as follows: The first one dates from 1877-1890. The second one, with the country name “England” was introduced in 1891, and the third, showing the words “Made in” was introduced in 1921. Images courtesy of www.antique-marks.com

Is it a boy or a girl?

2010-07-13T13:14:00.001-07:00

Many depictions of small children in old paintings show boys and girls wearing dresses.

I have read several explanations for this: e.g., sons and daughters under the age of six were considered asexual and dresses provided ease of movement.

See images of two paintings from Skinners American Furniture and Decorative Arts auctions.

This one is described as “ Portrait of Two Children Playing at the Table with their Pet Pugs” depicting “… probably a boy and a girl, wearing identical pink off-the-shoulder dresses with black trim..." Notice the boy on the left pulling a toy soldier on horseback and the girl on the right holding a rose.

This other one is a portrait of “Young Harry Herbert Keith (1851-1925) of Newton, Massachusetts”. He is in curls wearing a red and white plaid dress and black hat.

DID YOU KNOW that associating pink and blue to genders is a 20th century phenomenon, and that initially pink was associated with boys and blue with girls? Pink was considered appropriate for boys because that color is related to red – a more masculine color. Blue was reserved for girls for being a more dainty color, relating to the Virgin Mary. This societal norm was inverted in mid-20th century.